author | Oleksandr Gavenko <gavenkoa@gmail.com> |
Mon, 22 Feb 2016 12:46:36 +0200 | |
changeset 1905 | fba288d59662 |
parent 1884 | 75d45ff67876 |
child 1912 | 8b81a8f0f692 |
permissions | -rw-r--r-- |
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.. -*- coding: utf-8; -*- |
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.. include:: HEADER.rst |
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======== |
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Music. |
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======== |
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.. contents:: |
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fba288d59662
Include only local subsections into TOC. This prevent duplication of
Oleksandr Gavenko <gavenkoa@gmail.com>
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1884
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Music scale. |
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*Scale* is any set of musical notes ordered by fundamental frequency or pitch. |
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Scale ordered by increasing pitch is an *ascending scale*, and a scale ordered |
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by decreasing pitch is a *descending scale*. |
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The distance between two successive notes in a scale is called a *scale step*. |
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For Western music with 12 tones in octave used several definition of steps: |
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* *semitone*, *half step* is 2^(1/12) |
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* *whole step*, *whole tone*, *major second* is 2^(2/12) |
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*Chromatic scale* is a musical scale with twelve pitches, each a semitone |
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above or below another. On a modern piano or other equal-tempered |
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instrument, all the semitones have the same size (100 cents). In other |
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words, the notes of an equal-tempered chromatic scale are equally spaced. |
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* https://en.wikipedia.org/wiki/Chromatic_scale |
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*Diatonic scale* (or heptatonia prima) is a scale composed of seven distinct |
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pitch classes: ``2–2–1–2–2–2–1``. |
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* https://en.wikipedia.org/wiki/Diatonic_scale |
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*Minor scale*: ``2-1-2-2-1-2-2``. |
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* https://en.wikipedia.org/wiki/Minor_scale |
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Pentatonic major scale: ``1, 2, 3, 5, 6``. |
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Pentatonic minor scale: ``1, ♭3, 4, 5, ♭7``. |
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* https://en.wikipedia.org/wiki/Pentatonic_scale |
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The eight degrees of the diatonic scale are also known by traditional names: |
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* 1st degree – Tonic (key note) |
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* 2nd degree – Supertonic |
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* 3rd degree – Mediant |
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* 4th degree – Subdominant |
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* 5th degree – Dominant |
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* 6th degree – Submediant |
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* 7th degree – Leading tone |
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* 8th degree – Tonic (Octave) |
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Intervals names: |
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* *Minor second* - 1 semitones. |
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* *Major second* - 2 semitones. |
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* *Minor third* - 3 semitones. |
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* *Major third* - 4 semitones. |
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* *Perfect fourth* - 5 semitones, 4:3. |
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* *Perfect fifth* - 7 semitones, 3:2. |
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* *Minor sixth* - 8 semitones. |
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* *Major sixth* - 9 semitones. |
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* *Minor seventh* - 10 semitones. |
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* *Major seventh* - 11 semitones. |
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The notes of a scale are numbered by their steps from the root of the scale. |
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https://en.wikipedia.org/wiki/Scale_%28music%29 |
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Often, especially in the context of the common practice period, most or all |
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of the melody and harmony of a musical work is built using the notes of a |
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single scale, which can be conveniently represented on a staff with a |
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standard key signature. |
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https://en.wikipedia.org/wiki/Common_practice_period |
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Common-practice harmony is almost always derived from diatonic scales and |
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tends to follow particular chord progressions that have withstood the test |
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of time. |
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